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The young composer also wrote imaginative ‘character-pieces’ in the style of the ‘new romantic school’, a term given to the young composers Robert Schumann, Frederic Chopin and Felix Mendelssohn, with whom she was classed. Among these works was her opus 1, four Polonaises, published when she was eleven, and a striking piano concerto, her opus 7, completed when she was sixteen. Many of the songs composed during these early years have been lost, but the piano compositions with which she made her early reputation as a composer and performer were published and received favourable reviews.
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Symphonies, overtures, concertos, arias, Lieder, as well as compositions by the soloists were all presented at the same concert her own programmes, which began a few years later, followed this pattern. Vocal studies were an essential part of her musical education.Īt six, Clara began attending concerts at the famed Leipzig concert hall, the Gewandhaus. She studied composition, theory and harmony, counterpoint, and orchestration with the best teachers of the day in Leipzig, Dresden and Berlin. Since pianists were expected to compose as well as perform, Wieck saw to it that Clara was well prepared for both. Her triumphs as a musician may have compensated in part for the many personal tragedies she endured: the lengthy mental illness and death of her husband in 1856, the hospitalization of her incurably ill adult son Ludwig in 1870, and the deaths of three adult children: Julie in 1872, Felix in 1879, and Ferdinand in 1891.Ī child prodigy, Clara Wieck and her father, Friedrich Wieck, her sole piano teacher and manager, toured in northern Germany, Austria and Paris between 18. Pianist, composer, teacher, editor, wife of Robert Schumann and mother of eight children, Clara Schumann was a unique phenomenon, honoured and respected during her lifetime. Unlike most women of her generation, she did not leave the concert stage when she married.
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She gave her last public concert in 1891. Her songs, not as well known as her works for piano, are among the treasures of her creative work and can take their place with the best of the German Lieder repertoire.Ĭlara Wieck Schumann, born in Leipzig in 1819, began performing as a pianist at the age of nine and remained on the concert stage for over sixty years. (It is possible that additional songs will be discovered in the future.)Ĭlara Schumann’s presence in the history of European music has become firmly fixed in recent years: the many new biographies, editions, recordings and performances of her compositions are testimony to her significance and influence. This disc includes all the presently known songs by Clara. One of her notable songs, Am Strande, was a translation of a poem by Robert Burns. She set verses of such contemporaries as Emanuel Geibel, Heinrich Heine, and Friedrich Rückert among others. She generally chose to set poems exploring the themes beloved by the German romantics: the beauties of nature, love, yearning, unrest, melancholy, foreboding, separation, mystery and death. Her songs, not as well known as her works for piano, are among the treasures of her creative work and can take their place with the best of the German Lieder repertoire.Įxcept for Walzer, all Clara Schumann's songs published during her lifetime were written after her marriage to Robert Schumann and almost every song was intended as a Christmas or birthday gift for her husband. Clara Schumann's presence in the history of European music has become firmly fixed in recent years: the many new biographies, editions, recordings and performances of her compositions testimony to her significance and influence.